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Kinox Hobbit

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Und den anderen Bachelor-Ladys echte Kampf ums Leben genommen.

Kinox Hobbit

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Kinox Hobbit

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At first I was against the idea of such a small book being made into a trilogy. I still am. Many say not to compare this film to the far superior "Lord of the Rings" trilogy.

Well, it's hard not to considering Jackson has tried so hard to recreate the style of the original films because that's what the audience wants.

But he fails big time. The bizarre, unfunny, slapstick humor is painful. This involves snot jokes, burping, poop hair, and lame one-liners.

Retrieved 9 December Time Out. Retrieved 16 December Total Magazine. Slant Magazine. The Times. BBC News. Middle-earth in film.

Category Book. Middle-earth Enterprises. Tolkien 's The Hobbit. Hobbit word Legendarium Middle-earth. English-language editions The Annotated Hobbit Translations.

The Hobbit Peter Jackson. Guillermo del Toro. Filmography Unrealized projects Awards and nominations. Hellboy: The Science of Evil P.

Hidden categories: Wikipedia pending changes protected pages Articles with short description EngvarB from August Use dmy dates from August Template film date with 3 release dates Commons category link from Wikidata.

Namespaces Article Talk. Views Read Edit View history. Help Community portal Recent changes Upload file. Wikimedia Commons Wikiquote.

Don't give me the "it's based on a children's book" crap. Sure, the source material was written for children but I'm talking about the movie.

Adding all this stupid humor really messes with the tone; it doesn't feel like it belongs in the LOTR universe which "The Hobbit" is trying so hard replicate.

The film will go from trying to be epic to pathetic gags. It doesn't work. I don't mind a little humor occasionally but this is just overdone and it makes the film feel very unbalanced.

Now to the pacing. Many say the beginning is slow but they're wrong. The entire film is slow! Radagast's involvement is pointless and his bunny sled is ridiculous.

We also get to see Saruman and Galadriel in a boring scene that has absolutely no relevance to the main narrative. Wait, what exactly is "The Hobbit" about again?

But no, we need them in order to have enough material for the trilogy. Not good. I wouldn't have a problem with this if all these extra scenes actually advanced the plot.

But the White Council just talks and they never decide to act on anything. At least in "Fellowship" the plot makes major advancements but in "The Hobbit" the story hardly goes anywhere.

Let's discuss the action. It's like watching a video game. The main orc villain, Azog, looks fake. Everything is CGI overload; there's no tension.

Characters survive unbelievable situations. Compare the ending orc scene in this film to the one in "Fellowship. Unfortunately everything in "The Hobbit" is cartoonish.

Not to mention most of the action has no impact on the story whatsoever. Now to the characters. Gandalf is great but that is to be expected. Martin Freeman does fine as Bilbo but his transition from weakling to hero happens a little too quickly and feels unrealistic.

Thorin is your typical warrior like character; I didn't care for him too much. Bifur is probably my favorite of all the dwarfs hold on, I just searched his name and realized I got the wrong one, his name is BOFUR, my bad.

All the other dwarfs are just there and if you were to ask me to name them and describe something about their character, I couldn't do it.

And I'm sure you couldn't either. But the film does have some good. We get to see Bilbo and Gollum interact in an iconic scene.

The finding of the Ring is also significant and is really the only scene that should have any connection with LOTR unlike Galadriel, Frodo, etc.

And that's about it. Honestly, nothing really happens. While watching "The Hobbit" you kind of forget about the main adventure because of all the padding.

Then at the end you're like, "Oh yeah, there's a dragon. It's such a shame that "The Hobbit" ended up being a drawn-out, bloated, boring mess that lacks compelling characters and an engaging story.

I really wanted to love it but it's hard not to ignore the many problems. I couldn't wait to return to Middle-earth but now I'm not sure if I want to go back to this new cartoon version.

Hopefully improvements will be made in the sequels but after witnessing this my hopes aren't too high. All these years of anticipation and this is what we get I was convinced the many criticisms I read beforehand were exaggerated and wouldn't bother me.

To my surprise, quite some criticisms seemed justified in the end However, while I understand why they included them, they all feel out of place.

The frame story doesn't blend in naturally and the history of Erebor has too much to show in too little time.

His scene in Dol Guldur really threw me out of the movie. His scenes have a strange "un-Tolkien" vibe, particularly the battle of Azanulbizar the worst scene of the movie , which doesn't feel like a fierce and thrilling battle at all.

In the book, we experience everything through Bilbo's eyes, which creates a strong connection between the reader and the main part. This is missing from the movie: Bilbo even seemed to have more or less disappeared between the troll encounter and the stone giants' battle.

His homesickness, his doubts, all of this isn't really developed in the script. The emphasis on Thorin is a good thing, but also not perfect: during the enclosure by the Wargs, I didn't buy Thorin's charge towards Azog and especially Bilbo's sudden "action hero saves the day in the nick of time" intervention.

The latter seemed like a very inappropriate way to illustrate Bilbo's courage. There were actually only two great scenes: Riddles in the Dark is amazing, but ironically, it also painfully shows how mediocre the rest of the movie actually is, because this is the only moment that comes close to the level of LOTR.

Also, Bilbo's speech after they've escaped Goblin Town is a very welcome, for rare touching moment. In fact, I think the pacing is about just right and proved it would have been really difficult to adapt the book in just one fully-fledged movie.

But since I didn't like the additions, I'm doubting whether a third film is necessary after all but I suspend my judgment until I'm not talking about the bright colors or the digital images, but the lack of physical camera use.

The camera is flying and whirling so limitlessly that it just doesn't feel like an authentic movie anymore. This is particularly apparent during the Orc chase and above all the absurd Goblin Town escape.

The CGI is perfect, but too much is just too much. The people who unfairly label Howard Shore's work as a "re-hash of LOTR" obviously didn't pay full attention, because when you listen to the score multiple times and I admit it also took me several spins to really appreciate it , you discover a new rich and diverse musical tapestry once again masterfully woven by Shore.

If someone deserves credit for "The Hobbit", it's Shore: his music is in my view the only aspect of the movie on par with the level of LOTR.

However, although I have no problems with watching movies in 3D, I start questioning its necessity. I didn't have that feeling at all, but on the other hand - and this was the most surprising - the difference with 24 fps isn't THAT spectacular.

After 30 minutes, I even had to remind myself: "Oh, I'm watching 48 fps, right? Trolls, orcs, wolves and mountainous monsters made of remarkably pliable stone bring out the best in Jackson and his Rings co-screenwriters Fran Walsh and Philippa Boyens.

It is the only time the digital effects and smoother visuals underline, rather than undermine, the mythical drama of Bilbo's adventure.

The trilogy will test the stamina of the non-believers, and many might feel Matthew Leyland of Total Film gave the film a five-star rating and said that it is "Charming, spectacular, technically audacious… in short, everything you expect from a Peter Jackson movie.

A feeling of familiarity does take hold in places, but this is an epically entertaining first course.

Area Film Critics Association. The film's team won an Academy Scientific and Technical Award —the Scientific and Engineering Award for inventing a technique which has made huge advances in bringing to life computer-generated characters such as Gollum in the film to the screen.

An Unexpected Journey led the nominations at the 39th Saturn Awards with nine, more than The Lord of the Rings: The Fellowship of the Ring which earned eight nominations at the time of its release.

From Wikipedia, the free encyclopedia. Redirected from The Hobbit 1. This is the latest accepted revision , reviewed on 13 June Theatrical release poster.

New Zealand United States [2]. Martin Freeman as Young Bilbo Baggins : a hobbit hired by the wizard Gandalf to accompany 13 dwarves on a quest to reclaim the Lonely Mountain from the dragon Smaug.

Ken Stott as Balin : Dwalin's brother. He is described in the novel as "always their look-out man". Graham McTavish as Dwalin : Balin's brother.

Mark Hadlow as Dori : Nori and Ori's brother. He is described in the novel as "a decent fellow, despite his grumbling", while Thorin described him as being the strongest member of the Company.

Hadlow also plays Bert the Stone-troll. Jed Brophy as Nori : Dori and Ori's brother. Adam Brown as Ori : Dori and Nori's brother.

Hambleton also plays William the Stone-troll. William Kircher as Bifur : Bofur and Bombur's cousin. Kircher also plays Tom the Stone-troll.

James Nesbitt as Bofur : Bombur's brother and Bifur's cousin, described as "a disarmingly forthright, funny and occasionally brave Dwarf".

Stephen Hunter as Bombur : Bofur's brother and Bifur's cousin; described in the novel as fat and clumsy. She was also portrayed by Blanchett in The Lord of the Rings film trilogy.

He was also portrayed by Weaving in The Lord of the Rings film trilogy. He was also portrayed by Lee in The Lord of the Rings film trilogy.

His scenes take place shortly before the events of The Fellowship of the Ring. Andy Serkis as Gollum : a wretched hobbit-like creature corrupted by the One Ring.

Serkis portrayed Gollum through motion capture , as he did in The Lord of the Rings film trilogy. John Rawls as Yazneg : Azog's second-in-command.

Movement choreographer Terry Notary played Yazneg during pick-up shots. Bret McKenzie as Lindir : an elf of Rivendell.

Kiran Shah as the Goblin scribe : a scribe and messenger for the Great Goblin. After Yazneg is killed, Fimbul becomes Azog's right-hand man. Ure also played a goblin, named Grinnah, who acted as the Great Goblin's acolyte.

Benedict Cumberbatch as the voice of the dragon Smaug , as well as The Necromancer , a mysterious sorcerer residing in Dol Guldur with the ability to summon the spirits of the dead.

Cumberbatch provided performance capture for the character's brief appearance in this film. Del Toro scrisse sul sito TheOneRing.

Nel marzo gli sceneggiatori terminarono la scrittura e consegnarono il loro trattamento agli studios, che diedero il via libera alla scrittura della sceneggiatura.

In fase di sceneggiatura gli autori decisero di ampliare la trama de Lo Hobbit mostrando nei film anche fatti presenti in altre opere di Tolkien o nelle appendici de Il Signore degli Anelli [21] , e aggiungendo personaggi non presenti nel racconto originale come Frodo Baggins , Saruman e Galadriel , soprattutto per creare maggiori collegamenti tra la trilogia de Il Signore degli Anelli e quella de Lo Hobbit.

L'inserimento di Frodo nei film viene collocato poco prima gli eventi de Il Signore degli Anelli. Secondo quanto riportato da TheOneRing.

Nella trilogia del Signore degli Anelli di Peter Jackson, i romanzi vengono mostrati, e vi scrivono sia Bilbo che Frodo, il quale poi li consegna a Sam Gamgee.

Tra questi personaggi spiccano principalmente lo stregone Radagast , scritto apposta per il suo interprete, Sylvester McCoy , e l'orco bianco Azog il Profanatore , il cui ruolo differisce di gran lunga da quello del romanzo.

E' giusto che il primo film sia diverso. Del Toro e Jackson lavoravano in sintonia, cercando di sorvolare sui disaccordi per il bene del film.

Il cuore del film sarebbe stato il rapporto tra Thorin e Bilbo. Del Toro condivideva la passione di Jackson per i modellini in scala e i fondali dipinti [27] , ma decise di concentrarsi sull'uso di animatronics : alcuni personaggi sarebbero stati un mix di computer grafica e animatronics, mentre altri sarebbero stati creati solo tramite animatronics; Gollum sarebbe stato completamente digitale come nella trilogia di Jackson.

Del Toro diede un nuovo aspetto ai Goblin e agli Orchi , e anche i ragni di Bosco Atro avrebbero avuto un aspetto diverso da Shelob. Inizialmente del Toro voleva che Ian Holm tornasse a interpretare Bilbo, ma disse poi di aver sempre supportato la scelta di Martin Freeman come protagonista.

Nel dicembre Philippa Boyens si disse dispiaciuta di non poter vedere la versione del film di del Toro. Dopo quasi due anni passati a vivere, respirare e progettare un mondo ricco come quello della Terra di Mezzo di Tolkien, devo, con profondo disappunto, abbandonare la regia di questi due meravigliosi film.

Del Toro disse:. Abbiamo progettato i set e i costumi. Abbiamo finito l' animatic e pianificato scene di azione molto lunghe.

Immediatamente cominciarono a circolare indiscrezioni sul nuovo regista; gli studios avrebbero voluto Jackson, ma circolarono anche i nomi di Neill Blomkamp , Brett Ratner , David Yates e David Dobkin.

Molti fan reagirono negativamente all'abbandono di del Toro, accusando la MGM di aver ritardato inutilmente il progetto.

In molti cercarono di convincere lo studio a vendere i diritti alla Warner Bros. Il 27 luglio del Toro rispose ai fan dicendo che si trattava di film molto complicati sia economicamente che politicamente e non era la MGM l'unica 'colpevole'.

Sentivo che per realizzare bene questa trilogia avrei dovuto impossessarmi del materiale, riscrivere e ridisegnare tutto a modo mio.

Il 24 settembre i membri della federazione internazionale degli attori FIA, International Federation of Actors , che comprende la Canadian Actors' Equity Association, l'Actors' Equity Association e la Screen Actors Guild , invitarono i loro membri a non lavorare a Lo Hobbit , a causa del rifiuto da parte dei produttori dei film di firmare un accordo riguardo ai diritti degli attori neozelandesi, che non fanno ancora parte della federazione.

Il 25 ottobre alcuni manifestanti neozelandesi si radunarono per chiedere alle due case di produzione di rimanere in Nuova Zelanda, specificando che lo spostamento della lavorazione de Lo Hobbit avrebbe causato un enorme danno economico all'industria locale [49].

Sin dal il progetto era stato pianificato in due film, ma durante lo sviluppo cambiarono spesso i contenuti della storia.

Del Toro disse di avere due sequenze in mente con cui dividere i due film, tra cui la sconfitta di Smaug. Secondo lui il secondo film doveva finire collegandosi direttamente alla Compagnia dell'Anello.

Jackson disse che per il terzo film avrebbero attinto in gran parte dalle Appendici scritte da Tolkien alla fine del Ritorno del re.

Sul cambio di titolo Jackson disse che Andata e ritorno era il titolo giusto per un secondo film che raccontasse l'arrivo di Bilbo a Erebor e il suo ritorno a casa, ma con la divisione in tre film Bilbo arriva a destinazione ne La desolazione di Smaug e il titolo fu ritenuto inadatto.

A inizio ottobre fu annunciato ufficialmente che Martin Freeman avrebbe interpretato Bilbo Baggins. Riguardo Freeman Jackson disse:.

Tutti gli attori si rivelarono entusiasti di poter lavorare al film. Il 7 gennaio il sito TheOneRing. Molti membri della troupe sarebbero tornati per Lo Hobbit.

L'11 gennaio Christopher Lee fu confermato nuovamente nel ruolo di Saruman il Bianco. Lee disse che gli sarebbe piaciuto dare la voce a Smaug , in modo da poter registrare la sua parte in Inghilterra senza bisogno di viaggiare.

Inoltre Ian McKellen scrisse di aver visto grazie a Philippa Boyens uno screen test di Cumberbatch e di averlo trovato "impressionante, vocalmente e fisicamente" [83].

Nel secondo film Stevens venne poi sostituito da Lawrence Makoare. Per immedesimarsi nei ruoli e replicare le movenze del tipo di razza che dovevano interpretare, gli attori si allenarono duramente insieme a Terry Notary esperto dei movimenti di tutte le razze della Terra di Mezzo [89] , facendo equitazione , palestra e imparando ad utilizzare delle armi [90].

Le riprese cominciarono il 21 marzo a Wellington. A Matamata vennero girate le sequenze di Hobbiville. Le riprese in Nuova Zelanda ripresero poi alla fine di agosto e terminarono a dicembre.

Le riprese principali terminarono il 6 luglio , dopo giorni di riprese. Nel marzo si sono tenute in Nuova Zelanda delle riprese aggiuntive per il secondo e il terzo film, durate 10 settimane.

Secondo il diario di produzione sono state utilizzate 48 macchine da presa Epic. I film sono stati girati in digitale su hard disk da GB montati sulle macchine da prese Red Epic.

Con l'avvento del 3D nei film de Lo Hobbit , molti dei truccatori si sono dovuti adeguare a tale tecnologia e apportare alcuni cambiamenti al trucco.

Essi si sono accorti che la resa di questo formato dava alla pelle dei nani un colore giallastro, reagendo quindi in maniera differente rispetto alla normale pelle.

Le musiche di Un viaggio inaspettato sono state eseguite dalla London Philharmonic Orchestra , con cui Shore aveva collaborato per le musiche della trilogia di Jackson, mentre per La desolazione di Smaug Jackson e Shore hanno scelto la New Zealand Symphony Orchestra.

Alcuni temi della trilogia de Il Signore degli Anelli sono stati ripresi e adattati alle nuove atmosfere dei film [99]. I film sono caratterizzati da un ampio utilizzo di effetti speciali innovativi e di modellini e diorama , sviluppati interamente dalla Weta Digital e dalla Weta Workshop.

Nella trilogia de Signore degli Anelli gli interpreti dei Goblin e degli Orchi indossavano delle protesi facciali. Per Lo Hobbit , invece, Richard Taylor e la Weta Workshop hanno fatto indossare agli interpreti delle creature solo un costume fino alla testa, in maniera tale da poter liberamente modificare il volto in CGI attraverso il motion capture.

Il personaggio di Azog , originariamente, non avrebbe dovuto avere l'aspetto mostrato nei film. Per questa ragione, per interpretare Azog, Jackson ha scelto l'attore Manu Bennett , noto per la sua prestanza fisica [].

Altri progetti. Da Wikipedia, l'enciclopedia libera. Dori , interpretato da Mark Hadlow : un nano gentile e molto educato.

Nori , interpretato da Jed Brophy : un nano furbo e scaltro. Ori , interpretato da Adam Brown : un nano timido e impacciato.

In battaglia utilizza una fionda. Discende da minatori di carbone e lavoratori del ferro. Elrond , interpretato da Hugo Weaving : signore di Gran Burrone , l'ultima casa accogliente; ospita i nani e Bilbo durante il loro viaggio e decifra la mappa di Thorin.

Ordinato di uccidere Thorin e la sua compagnia. Grande Goblin , interpretato da Barry Humphries : re dei Goblin che catturano i nani durante il loro viaggio verso Erebor.

Viene ucciso e decapitato da Azog. Il Negromante , doppiato da Benedict Cumberbatch : un misterioso stregone che ha preso segretamente residenza a Dol Guldur.

Kinox Hobbit

It leaves us with all main characters intact and no dramatic tension. Every scene you see a massive rock crush a character you know they aren't dead.

Further to this point, smaller problems exist such as Bilbo never handling a sword to suddenly taking on killer beasts like he has been to He-Man training school.

The way Bilbo goes from being an outcast to being accepted is contrived and rushed and totally obvious. It just smacks of lazy cliche writing.

The acting that goes with it is not good either. Kind of like "I once said OH how wrong I was! Then you have the White Orc that Thorin said he had slain, and you just KNEW it was coming back at the end for some sort of showdown, didn't you?

Talk about obvious. I blame the film for this because the scenes involved in the exposition were way too see-through That brings me onto the whole "Thorin dislikes Elves" angle, where you know the Elves are suddenly going to become important allies just so we can have a totally obvious and expected reversal.

Wow, Thorin, you got Bilbo wrong and you got the Elves wrong too! This was the stake through the heart of this film Most of the dwarfs are completely redundant and I could not identify or even accept Bilbo.

This was due partly to the lack of character development, partly to the script and partly to the actor. Same goes for Thorin except the scenes he is in feel more like a bad soap opera than they do a "blockbuster" film.

It is just dull and lifeless and stupid. You shouldn't do things just because you can. The LOTR trilogy for the most part had decent pacing, and it didn't do things too fast, too soon, or for the sake of it.

The Hobbit is in a league of its own. I went to watch an engaging movie and I got a cartoon. The use of CGI is also glaringly obvious and fake; like with the prequels of Star Wars, when the movie cuts between humans and CGI blobs, your brain is onto it.

Stop relying on CGI for everything. It's getting annoying, not to mention OLD. At least Jackson makes real sets so it isn't a total wash out.

There is some real potential in this film and it is squandered; whether that's because Tolkien wrote a flawed book, whether it is because he wrote a book that doesn't take well to a feature length movie or whether it is because Jackson messed it up, that's what we ended up with.

The Hobbit should have been 2 films, and making it 3 has been the final nail in the coffin. So, I am sat here mightily annoyed that once again graphics and self indulgent, completely pointless action scenes have trumped good storytelling and pacing.

Of course, the film is still entertaining at times and the 3D visuals are fun, but for me it is a massive disappointment. Peter Jackson's return to the world of Tolkien is rather weak.

At first I was against the idea of such a small book being made into a trilogy. I still am. Many say not to compare this film to the far superior "Lord of the Rings" trilogy.

Well, it's hard not to considering Jackson has tried so hard to recreate the style of the original films because that's what the audience wants.

But he fails big time. The bizarre, unfunny, slapstick humor is painful. This involves snot jokes, burping, poop hair, and lame one-liners. Retrieved 9 December Time Out.

Retrieved 16 December Total Magazine. Slant Magazine. The Times. BBC News. Middle-earth in film. Category Book. Middle-earth Enterprises.

Tolkien 's The Hobbit. Hobbit word Legendarium Middle-earth. English-language editions The Annotated Hobbit Translations.

The Hobbit Peter Jackson. Guillermo del Toro. Filmography Unrealized projects Awards and nominations. Hellboy: The Science of Evil P. Hidden categories: Wikipedia pending changes protected pages Articles with short description EngvarB from August Use dmy dates from August Template film date with 3 release dates Commons category link from Wikidata.

Namespaces Article Talk. Views Read Edit View history. Help Community portal Recent changes Upload file. Wikimedia Commons Wikiquote. Don't give me the "it's based on a children's book" crap.

Sure, the source material was written for children but I'm talking about the movie. Adding all this stupid humor really messes with the tone; it doesn't feel like it belongs in the LOTR universe which "The Hobbit" is trying so hard replicate.

The film will go from trying to be epic to pathetic gags. It doesn't work. I don't mind a little humor occasionally but this is just overdone and it makes the film feel very unbalanced.

Now to the pacing. Many say the beginning is slow but they're wrong. The entire film is slow! Radagast's involvement is pointless and his bunny sled is ridiculous.

We also get to see Saruman and Galadriel in a boring scene that has absolutely no relevance to the main narrative. Wait, what exactly is "The Hobbit" about again?

But no, we need them in order to have enough material for the trilogy. Not good. I wouldn't have a problem with this if all these extra scenes actually advanced the plot.

But the White Council just talks and they never decide to act on anything. At least in "Fellowship" the plot makes major advancements but in "The Hobbit" the story hardly goes anywhere.

Let's discuss the action. It's like watching a video game. The main orc villain, Azog, looks fake. Everything is CGI overload; there's no tension.

Characters survive unbelievable situations. Compare the ending orc scene in this film to the one in "Fellowship. Unfortunately everything in "The Hobbit" is cartoonish.

Not to mention most of the action has no impact on the story whatsoever. Now to the characters. Gandalf is great but that is to be expected.

Martin Freeman does fine as Bilbo but his transition from weakling to hero happens a little too quickly and feels unrealistic.

Thorin is your typical warrior like character; I didn't care for him too much. Bifur is probably my favorite of all the dwarfs hold on, I just searched his name and realized I got the wrong one, his name is BOFUR, my bad.

All the other dwarfs are just there and if you were to ask me to name them and describe something about their character, I couldn't do it.

And I'm sure you couldn't either. But the film does have some good. We get to see Bilbo and Gollum interact in an iconic scene.

The finding of the Ring is also significant and is really the only scene that should have any connection with LOTR unlike Galadriel, Frodo, etc.

And that's about it. Honestly, nothing really happens. While watching "The Hobbit" you kind of forget about the main adventure because of all the padding.

Then at the end you're like, "Oh yeah, there's a dragon. It's such a shame that "The Hobbit" ended up being a drawn-out, bloated, boring mess that lacks compelling characters and an engaging story.

I really wanted to love it but it's hard not to ignore the many problems. I couldn't wait to return to Middle-earth but now I'm not sure if I want to go back to this new cartoon version.

Hopefully improvements will be made in the sequels but after witnessing this my hopes aren't too high. All these years of anticipation and this is what we get I was convinced the many criticisms I read beforehand were exaggerated and wouldn't bother me.

To my surprise, quite some criticisms seemed justified in the end However, while I understand why they included them, they all feel out of place.

The frame story doesn't blend in naturally and the history of Erebor has too much to show in too little time.

His scene in Dol Guldur really threw me out of the movie. His scenes have a strange "un-Tolkien" vibe, particularly the battle of Azanulbizar the worst scene of the movie , which doesn't feel like a fierce and thrilling battle at all.

In the book, we experience everything through Bilbo's eyes, which creates a strong connection between the reader and the main part.

This is missing from the movie: Bilbo even seemed to have more or less disappeared between the troll encounter and the stone giants' battle.

His homesickness, his doubts, all of this isn't really developed in the script. The emphasis on Thorin is a good thing, but also not perfect: during the enclosure by the Wargs, I didn't buy Thorin's charge towards Azog and especially Bilbo's sudden "action hero saves the day in the nick of time" intervention.

The latter seemed like a very inappropriate way to illustrate Bilbo's courage. There were actually only two great scenes: Riddles in the Dark is amazing, but ironically, it also painfully shows how mediocre the rest of the movie actually is, because this is the only moment that comes close to the level of LOTR.

Also, Bilbo's speech after they've escaped Goblin Town is a very welcome, for rare touching moment. In fact, I think the pacing is about just right and proved it would have been really difficult to adapt the book in just one fully-fledged movie.

But since I didn't like the additions, I'm doubting whether a third film is necessary after all but I suspend my judgment until I'm not talking about the bright colors or the digital images, but the lack of physical camera use.

The camera is flying and whirling so limitlessly that it just doesn't feel like an authentic movie anymore. This is particularly apparent during the Orc chase and above all the absurd Goblin Town escape.

The CGI is perfect, but too much is just too much. The people who unfairly label Howard Shore's work as a "re-hash of LOTR" obviously didn't pay full attention, because when you listen to the score multiple times and I admit it also took me several spins to really appreciate it , you discover a new rich and diverse musical tapestry once again masterfully woven by Shore.

If someone deserves credit for "The Hobbit", it's Shore: his music is in my view the only aspect of the movie on par with the level of LOTR.

However, although I have no problems with watching movies in 3D, I start questioning its necessity. I didn't have that feeling at all, but on the other hand - and this was the most surprising - the difference with 24 fps isn't THAT spectacular.

After 30 minutes, I even had to remind myself: "Oh, I'm watching 48 fps, right? Trolls, orcs, wolves and mountainous monsters made of remarkably pliable stone bring out the best in Jackson and his Rings co-screenwriters Fran Walsh and Philippa Boyens.

It is the only time the digital effects and smoother visuals underline, rather than undermine, the mythical drama of Bilbo's adventure. The trilogy will test the stamina of the non-believers, and many might feel Matthew Leyland of Total Film gave the film a five-star rating and said that it is "Charming, spectacular, technically audacious… in short, everything you expect from a Peter Jackson movie.

A feeling of familiarity does take hold in places, but this is an epically entertaining first course.

Area Film Critics Association. The film's team won an Academy Scientific and Technical Award —the Scientific and Engineering Award for inventing a technique which has made huge advances in bringing to life computer-generated characters such as Gollum in the film to the screen.

An Unexpected Journey led the nominations at the 39th Saturn Awards with nine, more than The Lord of the Rings: The Fellowship of the Ring which earned eight nominations at the time of its release.

From Wikipedia, the free encyclopedia. Redirected from The Hobbit 1. This is the latest accepted revision , reviewed on 13 June Theatrical release poster.

New Zealand United States [2]. Con l'avvento del 3D nei film de Lo Hobbit , molti dei truccatori si sono dovuti adeguare a tale tecnologia e apportare alcuni cambiamenti al trucco.

Essi si sono accorti che la resa di questo formato dava alla pelle dei nani un colore giallastro, reagendo quindi in maniera differente rispetto alla normale pelle.

Le musiche di Un viaggio inaspettato sono state eseguite dalla London Philharmonic Orchestra , con cui Shore aveva collaborato per le musiche della trilogia di Jackson, mentre per La desolazione di Smaug Jackson e Shore hanno scelto la New Zealand Symphony Orchestra.

Alcuni temi della trilogia de Il Signore degli Anelli sono stati ripresi e adattati alle nuove atmosfere dei film [99].

I film sono caratterizzati da un ampio utilizzo di effetti speciali innovativi e di modellini e diorama , sviluppati interamente dalla Weta Digital e dalla Weta Workshop.

Nella trilogia de Signore degli Anelli gli interpreti dei Goblin e degli Orchi indossavano delle protesi facciali. Per Lo Hobbit , invece, Richard Taylor e la Weta Workshop hanno fatto indossare agli interpreti delle creature solo un costume fino alla testa, in maniera tale da poter liberamente modificare il volto in CGI attraverso il motion capture.

Il personaggio di Azog , originariamente, non avrebbe dovuto avere l'aspetto mostrato nei film. Per questa ragione, per interpretare Azog, Jackson ha scelto l'attore Manu Bennett , noto per la sua prestanza fisica [].

Altri progetti. Da Wikipedia, l'enciclopedia libera. Dori , interpretato da Mark Hadlow : un nano gentile e molto educato. Nori , interpretato da Jed Brophy : un nano furbo e scaltro.

Ori , interpretato da Adam Brown : un nano timido e impacciato. In battaglia utilizza una fionda. Discende da minatori di carbone e lavoratori del ferro.

Elrond , interpretato da Hugo Weaving : signore di Gran Burrone , l'ultima casa accogliente; ospita i nani e Bilbo durante il loro viaggio e decifra la mappa di Thorin.

Ordinato di uccidere Thorin e la sua compagnia. Grande Goblin , interpretato da Barry Humphries : re dei Goblin che catturano i nani durante il loro viaggio verso Erebor.

Viene ucciso e decapitato da Azog. Il Negromante , doppiato da Benedict Cumberbatch : un misterioso stregone che ha preso segretamente residenza a Dol Guldur.

Bard l'Arciere , interpretato da Luke Evans : abitante di Pontelagolungo e un abilissimo arciere. Beorn , interpretato da Mikael Persbrandt : un mutapelle che vive tra le Montagne Nebbiose e Bosco Atro che aiuta Gandalf, Bilbo e i tredici nani durante il loro viaggio verso la riconquista di Erebor.

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While the players who Kinox Hobbit a role in the film are referred to as actors men or actresses women. Bin kein HdR-Fan, doch dieser Film ist sehr sehenswert. Weitere Playlists anzeigen. Your Teenie Mütter Saskia. Der film ist gut aber warum ist es eine Mischung aus deutsch und English??? Sprinkle cheerful smile so that the world back in a variety of colors. Nachdem die Wikinger der Insel Berk lange Zeit Jagd auf die Drachen gemacht haben, hat sich einiges geändert: Menschen und Drachen haben sich angefreundet und das Drachenreiten ist ein Dr. Best Gratis Testen Sport geworden. Kinox Hobbit Playlists anzeigen. Diesen Film finde ich einfach nur Klasse.

Kinox Hobbit Dettagli del prodotto hourphepabel.tk Video

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1 Kommentar

  1. Majar

    ich beglückwünsche, die glänzende Idee und ist termingemäß

  2. Kell

    Die sympathische Phrase

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